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Arthur Amora briefly passed through the Occupational Therapy Section at the end of the 1940s and there isn\u2019t much more information about him. He arrived at the studio wanting to paint, but claiming he didn\u2019t know how to draw, so it was suggested that he choose a theme that interested him. He found a domino box and copied all the pieces. After that, he started to simplify their shapes, abandoning the dots, covering the white and black stripes, breaking apart the angles, finding new curves, and creating structures with a strong optical contrast. <\/p>\n
His compositions were produced between 1949 and 1951.<\/p>\n
Around the same time, groups of painters who called themselves \u2018concretes\u2019, influenced by Swiss \u2018concrete\u2019 painting \u2013 geometric in nature \u2013, were having discussions along the Rio de Janeiro \u2013 S\u00e3o Paulo axis about who would be the protagonists of that movement in Brazil. Arthur Amora\u2019s works revealed a consistent geometry, free from foreign influences. <\/p>\n
Almir Mavignier<\/em><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Features” _builder_version=”4.24.3″ background_color=”#e9e7e8″ background_image=”https:\/\/museuimagensdoinconsciente.org.br\/wp-content\/uploads\/2024\/03\/art-gallery-55.jpg” background_size=”initial” background_repeat=”repeat” background_blend=”multiply” custom_padding=”40px|||||” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” header_font=”||||||||” max_width=”640px” module_alignment=”center” animation_style=”zoom” animation_intensity_zoom=”5%” global_colors_info=”{}”]<\/p>\n\n\t\t